Tuesday, 19 November 2013

Research - Colour

COLOUR

I thought i would have a recap on the basic fundamentals of colour as they will be appropriate for my print pack.


COLOUR SYSTEMS
CMYK

The CMYK color model (process color, four color) is a subtractive color model, used in color printing, and is also used to describe the printing process itself. CMYK refers to the four inks used in some color printing: cyan, magenta, yellow, and key (black). Though it varies by print house, press operator, press manufacturer, and press run, ink is typically applied in the order of the abbreviation.

The "K" in CMYK stands for key because in four-color printing, cyan, magenta, and yellow printing plates are carefully keyed, or aligned, with the key of the black key plate. Some sources suggest that the "K" in CMYK comes from the last letter in "black" and was chosen because B already means blue.The CMYK model works by partially or entirely masking colors on a lighter, usually white, background. The ink reduces the light that would otherwise be reflected. Such a model is called subtractive because inks "subtract"brightness from white.

HALF TONING

With CMYK printing, halftoning (also called screening) allows for less than full saturation of the primary colors; tiny dots of each primary colour are printed in a pattern small enough that human beings perceive a solid color. Magenta printed with a 20% halftone, for example, produces a pink color, because the eye perceives the tiny magenta dots on the large white paper as lighter and less saturated than the color of pure magenta ink.
Without halftoning, the three primary process colors could be printed only as solid blocks of color, and therefore could produce only seven colors: the three primaries themselves, plus three secondary colors produced by layering two of the primaries: cyan and yellow produce green, cyan and magenta produce a purplish blue, yellow and magenta produce red (these subtractive secondary colors correspond roughly to the additive primary colors) plus layering all three of them resulting in black. With halftoning, a full continuous range of colors can be produced.

RGB
The RGB color model is an additive color model in which red, green, and blue light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue.
The main purpose of the RGB color model is for the sensing, representation, and display of images in electronic systems, such as televisions and computers, though it has also been used in conventional photography. Before the electronic age, the RGB color model already had a solid theory behind it, based in human perception of colors.
RGB is a device-dependent color model: different devices detect or reproduce a given RGB value differently, since the color elements (such as phosphors or dyes) and their response to the individual R, G, and B levels vary from manufacturer to manufacturer, or even in the same device over time. Thus an RGB value does not define the same color across devices without some kind of color management.

SPOT COLOUR 


Definition of:spot colour


A color that is printed from one printing plate which contains one matched color of ink. Spot colors are used when only one or two solid colors are needed on a page or when a color has to match perfectly and be consistent such as with a company logo or when colors are the trademark of the organization or message. 

For example, you can be sure that IBM's "Big Blue" color is a carefully chosen spot color mix that the company is quite particular about! If spot color is used along with process color, then a four-color print job becomes a five or six-color job. Contrast with process colour.


The printing process which usually uses a limited number of base colour Pantone inks, which are combined in set proportions to make up a large range of standardised colours, and is known as "spot colour" printing. Generally, spot-colour inks are specific formulations that are designed to print alone, rather than to blend with other inks on the paper/plastic to produce various hues and shades. The range of available spot colour inks, much like paint, is nearly unlimited, and much more varied than the colours that can be produced by four-colour-process printing. Spot-colour inks range from subtle pastels to intense fluorescents to reflective metallics.





I found a really useful website that explained the spot colours realy well with diagrams i would refer to this

http://karafintechteam.weebly.com/uploads/7/8/5/3/7853240/spot_color_and_adobe_illustrator.pdf



DUO TONE


Duotone refers to monotones, tritones, and quadtones as well as duotones. Monotones are grayscale images printed with a single, non-black ink. Duotones, tritones, and quadtones are grayscale images printed with two, three, and four inks. In these images, colored inks, rather than different shades of gray, are used to reproduce tinted grays.

Duotones increase the tonal range of a grayscale image. Although a grayscale reproduction can display up to 256 levels of gray, a printing press can reproduce only about 50 levels of gray per ink. For this reason, a grayscale image printed with only black ink can look significantly coarser than the same image printed with two, three, or four inks, each individual ink reproducing up to 50 levels of gray.

Sometimes duotones are printed using a black ink and a gray ink—the black for shadows and the gray for midtones and highlights. More frequently, duotones are printed using a colored ink for the highlight color. This technique produces an image with a slight tint and significantly increases the dynamic range of the image. Duotones are ideal for two‑color print jobs with a spot color (such as a PANTONE Color) used for accent.

Because duotones use different color inks to reproduce different gray levels, they are treated in Photoshop as single-channel, 8‑bit, grayscale images. In Duotone mode, you do not have direct access to the individual image channels (as in RGB, CMYK, and Lab modes). Instead, you manipulate the channels through the curves in the Duotone Options dialog box.



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